In the Rider-Waite-Smith deck, The World is not meant to be read as a floating keyword. Waite's scene and Pamela Colman Smith's composition usually pull the eye toward laurel wreath, dancing figure, four fixed creatures first. Those details tell you what kind of emotional weather you are standing in before you decide whether the card feels hopeful, tense, protective, exposed, or transitional.
In the Waite tradition, completion is not passive arrival but a fully embodied synthesis of the journey.

